{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/winterthur/iiif/3b921f7a-8469-41e6-90d7-9a074628a944/manifest","label":"Col955_274","metadata":[{"label":"Title","value":"Artists' Materials Suppliers Label"},{"label":"Artwork Accession Number","value":"56-121"},{"label":"Owning Institution of Artwork","value":"Princeton University, the Art Museum"},{"label":"Artist","value":"George Inness"},{"label":"Artwork","value":"Albano, Italy"},{"label":"Note","value":"Label states that the product was patented on June 29, 1880, indicating that E. F. French was in business that year."},{"label":"Transcription","value":"A New Article of Manufacture. French's Artist Board. Patented June 29, 1880. This Board is built up of three layers of Veneers with [the grain] crossing at right angles, which prevents its splitting and [being on a] frame, it cannot warp or twist as is the case with thick bo[oards]. The colors are also much better preserved, and do not lose [their bril]liancy, as on canvas. These boards have been in the hands of our best Artists teh past three years and all pronounce them [superior to] canvas, the cost being no more than canvas on stretches, and [being far] superior, should bring them into general favor. WE make th[em in] size from 8x10 inches to 6 feet by 8 feet without having to [piece the] Veneers. The boards are all warranted and can be had of any [dealer in] Artists' Materials. Manufactured only by E. F. French, New York."},{"label":"Rights","value":["Copyright Not Evaluated"]},{"label":"Source Collection","value":["Alexander W. Katlan research papers on nineteenth century artists' supplies and suppliers (Col. 955)"]},{"label":"Date of Artwork","value":"After 1880"},{"label":"Subjects","value":["Artists' materials"]},{"label":"Language","value":["English"]},{"label":"Format","value":["Label"]},{"label":"Place","value":"New York"},{"label":"Creator","value":"E. F. French"},{"label":"Date (EDTF)","value":"D:00 M:00 Y:1880"},{"label":"Bibliography","value":"Norman E. Muller. An Early Example of a Plywood Support for Painting. Journal of the American Institute for Art Conservation vol. 31, no. 2, 1992, pp. 257-260."}],"description":"Artists' Materials Suppliers Label","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/winterthur/iiif/3b921f7a-8469-41e6-90d7-9a074628a944/canvas/_1","@type":"sc:Canvas","label":"Col955_274","height":720,"width":1052,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/winterthur/iiif/69bb3b17-dea8-4a69-95d4-f9b108d7b4e6/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/winterthur/iiif/69bb3b17-dea8-4a69-95d4-f9b108d7b4e6","profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":512,"scaleFactors":[1,2,4]}]},"height":720,"width":1052},"on":"https://iiif.quartexcollections.com/winterthur/iiif/3b921f7a-8469-41e6-90d7-9a074628a944/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/winterthur/iiif/69bb3b17-dea8-4a69-95d4-f9b108d7b4e6/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/winterthur/iiif/69bb3b17-dea8-4a69-95d4-f9b108d7b4e6/full/300,300/0/default.jpg","logo":"https://iiif.quartexcollections.com/winterthur/iiif/logo"}