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Chapter One examines the scholarship surrounding the play, John Proctor, and the context in which The Crucible was written. Chapter Two investigates the greater historical conditions of Puritan theology and structural ideology, arguing that Arthur Miller was concerned with representing the religious ideology of Puritan America in his play, not just the events of the Salem Witch Trials. The Chapter further explores the function of and historical debates surrounding covenant—the heart of Puritan ideology—and asserts that covenant can serve as a lens through which one can analyze the play and Proctor. Chapter Three applies the previously identified lens to evaluate John Proctor’s search for his “goodness.” The essay concludes with a broader inquiry into the role of covenant in contemporary America and discusses how this analysis applies to an actor’s work in the rehearsal room. Importantly, this paper does not aim to argue that Proctor is or is not good, but instead seeks to understand how John Proctor does or does not see himself as “good.”</p>"},{"label":"Digital Identifier","value":"b2026-grosman"},{"label":"Digital Object Identifier (DOI)","value":"https://doi.org/10.14418/rtdsysr8"},{"label":"Digital Origin","value":["born digital"]},{"label":"Discipline","value":["Theater"]},{"label":"Date","value":"April 15, 2026"},{"label":"EDTF Date","value":"D:00 M:00 Y:2026"},{"label":"File Format","value":["application/pdf"]},{"label":"Genre","value":["theses"]},{"label":"Group","value":["Theses & Dissertations"]},{"label":"Held By","value":"Wesleyan University Library, Wesleyan University, Middletown, CT, USA"},{"label":"Language","value":["English"]},{"label":"Repository","value":["University Archives"]},{"label":"Rights","value":["In Copyright"]},{"label":"Thesis Advisor(s)","value":["Hickman, April","Oliveras, 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