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The Game of Love and Chance (1730) by Pierre de Marivaux was a subversive commentary on 18th-century class politics when it premiered, but could be read as outdated today. In this essay, I will first explore Game of Love's original historical context and reception. Then, I will examine the work of Stephen Wadsworth, who directed his own Game of Love translation for a 1990s American audience and whose translation I used in my production. Finally, I will demonstrate how I took cues from the play's 1730 and Wadsworth's work, as well as writers like Judith Butler and Jean E. Howard, to direct a production of Game of Love that could best recreate the original reception in my Wesleyan audience by casting actors in drag, adding techno underscoring, and exploring queer dance aesthetics. Here, I will argue that by tailoring their directorial choices to their specific audience, directors can create more faithful revivals that bridge their audience and the text.</p>"},{"label":"Group","value":["Theses & Dissertations"]},{"label":"Digital Origin","value":["born digital"]},{"label":"Discipline","value":["Theater"]},{"label":"Date","value":"April 15, 2025"},{"label":"EDTF Date","value":"D:00 M:00 Y:2025"},{"label":"File Format","value":["application/pdf"]},{"label":"Digital Object Identifier (DOI)","value":"https://doi.org/10.14418/wes01.1.3128"},{"label":"Type","value":["Text"]}],"description":"Triangulation, a bridge across time: Methods of directing classic 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