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Drawing on theories from Richard Schechner, Judith Butler, and Joseph Grim Feinberg, I argue that grief forces traditional social expressions to hold new meaning by emphasizing authenticity. If performance is defined as \"showing doing,\" then anti-performance emerges as \"showing being\"—a state in which expression arises from emotional necessity rather than societal expectation. This theory is developed through the lens of conceptual elements of performance studies, specifically through time, presence, & embodiment. These terms will be applied to three case studies explored over the past year: The Changing of the Guard at the Tomb of the Unknown Soldier at Arlington National Cemetery, the Jewish mourning practice of Shiva, & the New Orleans tradition of Second Line Jazz Funerals. Through the application of performance concepts to cultural displays, I can trace how the theory of anti-performance allows us to see authentic modes of expression. This way of \"being\" offers a unique lens on the way we can study how humans utilize performance to process emotional experiences, such as grief.</p>"},{"label":"Group","value":["Theses & Dissertations"]},{"label":"Digital Origin","value":["born digital"]},{"label":"Discipline","value":["Theater"]},{"label":"Date","value":"April 15, 2025"},{"label":"EDTF Date","value":"D:00 M:00 Y:2025"},{"label":"File Format","value":["application/pdf"]},{"label":"Digital Object Identifier (DOI)","value":"https://doi.org/10.14418/wes01.1.3173"},{"label":"Type","value":["Text"]}],"description":"When there is no love to give exploring grief through 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