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As the Portuguese strict cultural and religious enforcement pushed many creatives to leave and explore their craft in Europe, it is no surprise that many Cape Verdeans do not feel the relevance of visual culture as generations of those who did embrace it often left the island to explore their craft in Europe or Brazil. Rather than fighting against these challenges I have found in my research, I am instead pushing myself to center and interrogate this local ideology in Cape Verde that denies the presence of art and explore how artists today are grappling with both global and local influences in the creation of an indigenous art culture in Cape Verde as a newly independent country.</p><p>A central goal of Cape Verdean art after independence is to satisfy the hunger for global relevance and connectivity as a country that has been cast in the shadows. Thus, in my thesis I will be tracing the ways in which Cape Verdeans have and are currently working to gain this global connectivity while simultaneously flexing their heritage. In Chapter One, I will start with the transatlantic trade and the circulation of the national textile, panu di tera, before looking at what contemporary Cape Verdean artists are doing to recontextualize traditional modes of weaving in with both personal and global influences. Still in its early stages of development, the language around artistic styles and movements in Cape Verde is limited, making it challenging for artists to define themselves within a specifically Cape Verdean context. The second chapter dives into the Cape Verdean struggle with identity not only as a nation but also on a personal level. Specifically this chapter looks at a division within the Cape Verdean art community between morabeza and contemporary art, dividing those who are honest about the historical traumas and present challenges the country faces from those who chose to render more romanticized depictions of the country. As today most Cape Verdeans live out in the diaspora, my last chapter centers artists of the diaspora and questions what the future of Cape Verdean art will look like as the population blends into various cultures around the world. In sum, this thesis starts at the root of the global circulation of Cape Verdean art before exploring the various artists working towards a similar international recognition across various mediums and artistic schools of thought.</p>"},{"label":"Group","value":["Theses & Dissertations"]},{"label":"Digital Origin","value":["born digital"]},{"label":"Discipline","value":["Art History"]},{"label":"Date","value":"April 15, 2024"},{"label":"EDTF Date","value":"D:00 M:00 Y:2024"},{"label":"File Format","value":["application/pdf"]},{"label":"Digital Object Identifier (DOI)","value":"https://doi.org/10.14418/wes01.1.2875"},{"label":"Type","value":["Text"]}],"description":"21st century Cape Verdean visual culture: Grappling with the local and global in postcolonial Cape 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