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Is satirical theater a way to persuade audiences to engage with difficult and unpleasant topics? What are the factors that go into making political satire successful? This paper argues that satire, by criticizing and making fun of high status individuals and groups to a collective audience, makes room for freedom of thought within that audience. This paper will examine three plays from different places and times. In the first section, I will discuss Aristophanes' use of satire in the play Lysistrata (411 BCE), which served as a criticism of the Peloponnesian War. In the second section, I will examine Molière's Tartuffe (1664) and how it critiques a secret French-Catholic society. In the third section, I will bring the present day into discussion with Larissa Fasthorse' Thanksgiving Play (2019). Finally, in the conclusion I will discuss how all of these examples use satire to attempt to spark political thought in audiences, and the ways in which they engage in Brechtian theory to do so. I reference Brecht's theory of verfremdungseffekt, or making the familiar strange. I will argue that the elements of satire I identify engage in making the familiar strange, and that that is part of the reason that successful satire is able to create room for freedom of thought. I finish the paper by arguing that it is satire itself that builds connections between like-minded people by gathering them in a communal space and then using the comedy within satire to persuade an audience to meaningfully engage with unpleasant or difficult topics.</p>"},{"label":"Group","value":["Theses & Dissertations"]},{"label":"Digital Origin","value":["born digital"]},{"label":"Discipline","value":["Theater"]},{"label":"Date","value":"April 15, 2025"},{"label":"EDTF Date","value":"D:00 M:00 Y:2025"},{"label":"File Format","value":["application/pdf"]},{"label":"Digital Object Identifier (DOI)","value":"https://doi.org/10.14418/wes01.1.3019"},{"label":"Type","value":["Text"]}],"description":"Unmasking the present: The palatable politics of 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