{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/manifest","label":"rsv15p55","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Mosaic of Enthroned Christ and the Donor, Christ the Savior in Chora"},{"label":"Alternative Title","value":"Istanbul, Kariye Camii"},{"label":"Image View Description","value":"The mosaics and wall paintings of the Chora are among the key works of Late Byzantine art and the most complete to survive in Istanbul. The nave and narthexes were completed by 1321 and decorated in mosaic, while the parekklesion and lesser areas were painted. In in the inner narthex above the entrance to the naos is the image of the \"Enthroned Christ and the Donor.\" Theodore Metochites kneels and presents a model of the church to a seated Christ. In Byzantine art, this was the standard way of representing an architectural donation. Metochites is ostentatiously garbed and wears a high hat symbolizing his high office (not only Turks wore turbans), and his court titles are inscribed behind him. The picture is curiously unbalanced, with the side opposite Metochites left empty, with the gold tesserae laid in a scalloped pattern. Grove Dictionary of Art; Ousterhout, Robert. \"The Art of the Kariye Camii.\" Scala Publishers, 2002, p. 23"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"21.6 x 26.8 cm"},{"label":"Image View Type","value":"Mosaic; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Istanbul (Turkey) [LCNAF]"]},{"label":"Subject (Topical)","value":["Religious art [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"11"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower left, in white: No. 11. Mosquee Karie.; lower right, in white: Sebah & Joaillier. [cut off:] Consple. 1892"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1355851/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 15: Palestine/Constantinople Page 55; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Sébah & Joaillier (Photography studio) [LCNAF]","Sébah, Pascal, 1823-1886 [LCNAF]","Joaillier, Polycarpe, 1848-1904 [LCNAF]"]}],"description":"Mosaic of Enthroned Christ and the Donor, Christ the Savior in Chora","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/canvas/_1","@type":"sc:Canvas","label":"Mosaic of Enthroned Christ and the Donor, Christ the Savior in Chora","height":5065,"width":6329,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7","profile":"http://iiif.io/api/image/2/level2.json"},"height":5065,"width":6329},"on":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/f1329aa6-975d-41e9-b326-9ebb6cc92ce7/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}