{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/manifest","label":"rsv01p44","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Agrigento: Temple of Concord"},{"label":"Alternative Title","value":"Temple F"},{"label":"Cultural Context","value":"Greek"},{"label":"Image View Description","value":"The temples of the later 5th century BCE at Agrigento are of a size similar to that of mainland temples, with stylobates measuring 16–17×38–40 m, and have a standard colonnade of 6 by 13 columns (although elsewhere in Sicily 6 by 14 was more frequent) and a cella with pronaos and opisthodomos; Sicilian characteristics include high foundations with four steps, closely spaced colonnades with heavy columns and frequent use of double angle contraction, wide steps in the front and omission of columns in the cella. An imperfectly known Doric temple under the church of S Maria dei Greci, on the acropolis in the modern city, may have been the first of this group (?c. 470 BCE). The temples D (to Hera Lakinia) and F (Concord) in the south-east of the town (c. 450 bc and 425 BCE respectively) differ only in minor details and a more accurate execution in the later building. Both have double angle contraction (Temple D only at the eastern front). Temple F is one of the best-preserved ancient temples in the world. Temples D and F, together with the Temple of Zeus and the so-called Temple of Herakles, are arranged scenographically on a ridge at the southern boundary of the town. Grove Dictionary of Art."},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"22.2 x 16.8 cm"},{"label":"Image View Type","value":"Temple; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Sicily (Italy) [LCNAF]","Agrigento (Italy) [LCNAF]"]},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["albumen paper","black and white photography"]},{"label":"Inscription","value":"on album page, lower left, in black ink: Girgenti, Temple of Concord"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1341278/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 01: Africa/Sicily Page 44"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]}],"description":"Agrigento: Temple of Concord","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/canvas/_1","@type":"sc:Canvas","label":"Agrigento: Temple of Concord","height":5189,"width":3805,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46","profile":"http://iiif.io/api/image/2/level2.json"},"height":5189,"width":3805},"on":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/e4f13726-f29d-47b1-9f0c-513fe6028e46/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}