{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/manifest","label":"rsv19p09","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Alcazar, Interior of the Hall of the Ambassadors"},{"label":"Alternative Title","value":"Alcazar, Interior del Salon de Embajadores"},{"label":"Cultural Context","value":"Moorish"},{"label":"Image View Description","value":"After the Reconquista the Alcazar became the favorite residence of the monarchs of Castile. In the second half of the 13th century Alfonso X built a Gothic palace (Cuarto del Caracol) that transformed the Almohad building and incorporated a garden into it. About 1340 Alfonso XI of Castile Leon (reg 1312–50) built the Sala de la Justicia, the first example of Andalusian Mudéjar art. It was, however, Peter the Cruel who substantially rebuilt (1364–6) the Alcazar using artists from Toledo and Granada and Sevillian Mudejar craftsmen. Notable surviving features include the portal at the back of the Patio de la Monteria, with a magnificent wall hanging protected by the sumptuous projecting wooden eaves; the main Patio de las Doncellas, an arcade of cusped and lobulated arches on coupled marble columns, surmounted by open arabesque work, influenced by the art of Cordoba and Granada; the Salon de Embajadores, crowned by a fine cupola with pendentives, and walls, arches and doorways covered with elaborate, intricate Moresque decoration in delicate polychrome (for illustration see Mudéjar); and the smaller Patio de las Munecas, influenced by the art of Granada. Grove Dictionary of Art. There is a blank margin along the bottom edge of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"17.8 x 23.3 cm"},{"label":"Image View Type","value":"Hall; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Seville (Spain) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom edge of the print"},{"label":"Subject (Topical)","value":["Islamic architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"8"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower edge, in black: 8. Sevilla Interior del salon de Embajadores Alcazar. E.B."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359601/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 19: Western Mediterranean Page 9; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Beauchy, Emilio [Local]"]}],"description":"Alcazar, Interior of the Hall of the Ambassadors","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/canvas/_1","@type":"sc:Canvas","label":"Alcazar, Interior of the Hall of the Ambassadors","height":4176,"width":5480,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1","profile":"http://iiif.io/api/image/2/level2.json"},"height":4176,"width":5480},"on":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/dc2699a2-911a-434d-96f4-6088e3d71de1/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}