{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/manifest","label":"rsv17p53","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"San Lorenzo, Cappella dei Principi"},{"label":"Alternative Title","value":"San Lorenzo, Medici Chapel"},{"label":"Cultural Context","value":"Italian"},{"label":"Image View Description","value":"Nigetti's principal work was the Cappella dei Principi, the funerary chapel of the Medici family in San Lorenzo, Florence, on which he spent over 40 years supervising the construction. This was a major enterprise for the Medici. Projects for the chapel had started with Duke Cosimo I and continued under Duke Francesco I; Grand Duke Ferdinando I had commissioned 19 designs between 1592 and 1594. Ferdinando eventually accepted a design by Giovanni de' Medici, a modest reinterpretation of Michelangelo's Medici Chapel (1519–34) in S Lorenzo, in the form of an octagonal space with a domical vault but with polychromatic marble interior decoration instead of pietra serena. This design was revised by Alessandro Pieroni to an octagon with such deep side chapels that it became almost square in plan, and work started on this scheme under Nigetti's supervision. Nigetti revised the internal elevations considerably, adding a drum and dome and an interior decorative scheme of vertical rectangular polychromatic marble; he also deployed an eclectic mixture of windows and niches. His decorative scheme was reduced by Buontalenti in 1604 to a more modest version that retained in some degree the 15th-century pilaster grid abandoned by Nigetti. The final result was reminiscent of such decorative schemes by Buontalenti as the Cappella della Madonna del Soccorso (1601) in Santo Spirito, with a heavy and full Mannerist decoration supplanting the architectural framework. The Cappella dei Principi, the central monument of Medici patronage of the early 17th century, revealed Medici taste as rooted in early 16th-century Florentine Mannerism, and Nigetti became known as an exponent of this style at a time when the Baroque was more generally accepted elsewhere in Italy. Grove Dictionary of Art. There is a blank margin along the bottom of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"19.5 x 25.1 cm"},{"label":"Image View Type","value":"Church; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Florence (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print"},{"label":"Subject (Topical)","value":["Burial [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"1913"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower center, in black: Pe. 1a. No. 1913 FIRENZE - CAPPELLE MEDICEE. INTERNO DELLA CAPPELLA DEI PRINCIPI (DISEGNO DI GIOV. DE'MEDICI)"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359516/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 53; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Alinari, Leopoldo, 1832-1865 [LCNAF]"]}],"description":"San Lorenzo, Cappella dei Principi","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/canvas/_1","@type":"sc:Canvas","label":"San Lorenzo, Cappella dei Principi","height":4440,"width":5919,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d","profile":"http://iiif.io/api/image/2/level2.json"},"height":4440,"width":5919},"on":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/d377eaa4-0b7d-41f6-9df2-3dff86a9f12d/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}