{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/manifest","label":"rsv05p32","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Paris, Exposition of 1900, view of Old Paris"},{"label":"Alternative Title","value":"Exposition Universelle de 1900, Le Vieux Paris"},{"label":"Cultural Context","value":"French"},{"label":"Image View Description","value":"The 1900 Paris World's Fair prided itself on the modernity of its exhibits. Paradoxically, however, one of its most successful attractions proved to be Le Vieux Paris, a picturesque model city built along the Seine to 'bring Old Paris back to life'. Designer Albert Robida chose not only to create a picturesque and entertaining model of life in old France, but to construct the exhibit as a locus of cultural memory. In it he glorified French accomplishments, while attempting to redress his contemporaries' neglect of their shared architectural and literary heritage. Using the popular exhibit as a device for celebrating national achievement, he inspired widespread appreciation of French heritage, thereby invigorating a nascent conservation moment. The Paris World's Fair of 1900 drew nearly 51 million visitors from around the world; they came to admire the city, its culture and the technology on display. Organizers described it as 'the resume of the work of this century that towers above all by the enormous progress realized in the domain of industry'. Paradoxically, however, one of the Fair's most successful attractions--and third top-grossing display--appeared to be as far removed from modern innovation as possible: it was a miniature city--Le Vieux Paris--built along the right bank of the Seine. Its objective was to bring the Paris of the past back to life. Promoted as a 'picturesque' and 'quaint' exhibit, the Fair's organizers intended Le Vieux Paris primarily as a commercial attraction. The city's designer Albert Robida went beyond this initial conception, however, turning the exhibit into a tribute to French architecture of the past; he cleverly used his popular display to validate old monuments in the public eye. Emery, Elixabeth \"Protecting the Past Albert Robida and the Vieux Paris Exhibit at the 1900 World's Fair.\" Journal of European Studies 35, 1 (2005) 65+"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"20.7 x 27.1 cm"},{"label":"Image View Type","value":"City; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Paris (France) [LCNAF]"]},{"label":"Description","value":"There is a yellowish-brown spot in the center of the image."},{"label":"Subject (Topical)","value":["Street photography [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"2069"},{"label":"Medium","value":["black and white photography","collotype print"]},{"label":"Inscription","value":"lower center, in white: 2069. Paris - Exposition Universelle de 1900. - Le Vieux Paris, - Robida Dessinateur. M. B. Phot.; on album page, lower left, in black ink: Paris - Exposition of 1900. Ancient Paris."},{"label":"Keywords","value":["Cityscapes"]},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1348703/representation-view"},{"label":"Copyright Statement","value":" This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work."},{"label":"Public Note","value":"Volume 05: France/Vienna Page 32; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Berthaud, Michel [LCNAF]"]}],"description":"Paris, Exposition of 1900, view of Old Paris","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/canvas/_1","@type":"sc:Canvas","label":"Paris, Exposition of 1900, view of Old Paris","height":4741,"width":6435,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e","profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":2048,"scaleFactors":[1,2,4]}]},"height":4741,"width":6435},"on":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/d33decf0-f254-416d-9dc9-3d9fc5b7fc7e/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}