{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/manifest","label":"rsv07p36","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Lucknow, Bara Imambara"},{"label":"Alternative Title","value":"The Great Imambara"},{"label":"Cultural Context","value":"Islamic; Indian"},{"label":"Image View Description","value":"Lucknow flourished particularly in 1775–1856 under the nawabs of Avadh (Oudh). The fourth nawab, Asaf ud-Daula (reg 1775–97), transferred the capital there from Faizabad, a move that rapidly transformed the city. Originally appointed as state governors by the Mughals, the nawabs soon became hereditary rulers. During the 80 years that Lucknow was the nawabi capital, a series of complexes was built along the south bank of the Gumti to the east of the Machchi Bhavan fort. The most impressive complex is the Bara (Great) Imambara, constructed by Asaf al-Daula in 1784. By faith the nawabs were Shi‛ites, and the Bara Imambara was used during the annual Muharram rite of that sect. The main building is a colossal vaulted hall richly decorated with carved stucco. The building also served as the burial place of Asaf ud-Daula and his wife. Adjacent are a mosque and a stepwell, the latter known as the Baoli Palace. Outside the complex is the Rumi Darvaza, a massive and heavily ornamented gate. Grove Dictionary of Art"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"22 x 27.9 cm"},{"label":"Image View Type","value":"Religious Complex; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Lucknow (India) [LCNAF]"]},{"label":"Subject (Topical)","value":["Islamic architecture [LCSH]","Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["albumen paper","black and white photography"]},{"label":"Inscription","value":"on album page, lower left, in black ink: Imambara, Lucknow."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1353775/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 07: India Page 36"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]}],"description":"Lucknow, Bara Imambara","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/canvas/_1","@type":"sc:Canvas","label":"Lucknow, Bara Imambara","height":5121,"width":6519,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605","profile":"http://iiif.io/api/image/2/level2.json"},"height":5121,"width":6519},"on":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/b592f1b0-c7f2-4d5a-83da-475270b5f605/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}