{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/manifest","label":"rsv01p34","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Church of Saint John the Hermit"},{"label":"Alternative Title","value":"San Giovanni degli Eremiti"},{"label":"Image View Description","value":"Construction of this church began after the death of St William of Monte Vergine (1085–1142) and was entrusted to his disciples, known as the Eremiti (hermits) of Montevergine. It was completed by the end of 1148, when it was turned over to the Eremiti by Roger II with a charter stating that it was built at his expense. The exact date of construction is complicated by the presumed existence on the same site of a Roman temple, a Byzantine building, which was perhaps the Gregorian monastery of S Ermete, and a mosque, on the remains of which the south side of the church was probably built. The church is a T-shaped cross in plan, with a projecting central apse and two lateral apses enclosed within the eastern wall. The interior is divided into five bays: the two widest form the nave and the three remaining form the transept, with the tallest bay at the crossing. A campanile rises above the north bay, and the other four bays are crowned with domes that rest on connecting niches at the corners. The exterior walls are faced with smooth, medium-sized sandstone ashlar blocks. The round-arched windows are clearly delineated except in the top row, where boxed frames and modelled cornices appear. The architectural structure uses elements taken from the diverse technical and stylistic influences prevailing in Norman Sicily. The characteristic hemispherical domes, best viewed from the outside, are derived from the Arab heritage; the central plan and the T-shaped cross plan come from the Middle Byzantine and Latin traditions respectively. The smooth exterior facing lacks the window detail that later became typical of Norman Sicilian architecture. In general the church represents an atypical monument, which is more closely linked with the survival of earlier traditions than with innovative trends. Grove Dictionary of Art."},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"18.8 x 24.4 cm"},{"label":"Image View Type","value":"Church; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"on album page, lower left, in black ink: Palermo. Church of St John the Hermit XII Century."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1341213/representation-view"},{"label":"Copyright Statement","value":" This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work."},{"label":"Public Note","value":"Volume 01: Africa/Sicily Page 34"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]}],"description":"Church of Saint John the Hermit","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/canvas/_1","@type":"sc:Canvas","label":"Church of Saint John the Hermit","height":4380,"width":5701,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0","profile":"http://iiif.io/api/image/2/level2.json"},"height":4380,"width":5701},"on":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/b38872ac-d5cd-4223-935c-d5404f6e7ee0/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}