{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/97862709-e97e-4d49-8cac-9d2731d74bcc/manifest","label":"rsv16p35","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Edfu with view of pylon"},{"label":"Alternative Title","value":"Edfou"},{"label":"Cultural Context","value":"Egyptian"},{"label":"Image View Description","value":"Temple of Horus at Edfu is the most completely preserved of all Egyptian temples, dating mainly to the Ptolemaic period. To the east of the temple are the ruins of a city (now covered by modern Idfū) dating back at least to the Old Kingdom (c. 2575–c. 2150 BCE). The Temple of Horus was built and decorated by the Ptolemies. Horus of Behdet was a divine metaphor for the living king who, having vanquished the enemy, ruled as the victorious winged sun-disc. The building of the Temple of Horus began in 237 BCE, the 10th year of the reign of Ptolemy III Euergetes I (reg 246–221 BCE), and its interior was decorated by Ptolemy IV Philopator (reg 221–205 BCE) and Ptolemy VI Philometor (reg 180–145 BCE). The pronaos (traditionally called the outer hypostyle hall) was built on to the existing temple by Ptolemy VIII Euergetes II and decorated between 140 and 124 BCE. This annexed pronaos emulated the one that his brother Ptolemy VI had built on to the Temple of Isis at Philae. Subsequently, the colonnaded forecourt, pylon and enclosure wall were built and decorated by Ptolemy IX Soter II, Ptolemy X Alexander I and Ptolemy XII Neos Dionysos. The interior decoration of both monuments is executed in wafer-thin raised relief except on columns, and the exterior decoration, which was addressed late in the Ptolemaic period, is boldly carved within sunken contours. The principles of Egyptian temple decoration, which first became apparent to scholars at Edfu, reveal certain visual and textual repetitions, alterations and substitutions on one or more architectural members or on coherent groups of surfaces. The remarkable theological cohesion and symmetry of representations are taken to imply premeditation by the theologians and the use of pattern books and cartoons. Grove Dictionary of Art"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"21 x 26.2 cm"},{"label":"Image View Type","value":"Temple; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Idfū (Egypt) [LCNAF]"]},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"on album page, lower left, in pencil: 53; on album page, lower center, in black ink: Edfou Pylone et Village"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1355926/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 16: Philae/Edfou Page 35"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Beato, Antonio, -1903? 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