{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/manifest","label":"rsv13p30","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Pisa Baptistery, Pulpit"},{"label":"Cultural Context","value":"Italian"},{"label":"Image View Description","value":"Although Nicola's first recorded work, the pulpit in the baptistery of Pisa, bears the signature \"Nicola Pisanus\" and the date 1260, he must have settled in Pisa by the time his son Giovanni was born there, in the late 1240s. The work constitutes the most accomplished synthesis of French Gothic and Classical elements and incorporates a programme of great complexity, using concepts derived from the sermon Civitas Dei, Domus Dei of Federico Visconti, Archbishop of Pisa (reg 1254–77), the patron of the pulpit. Both in plan and elevation the pulpit comprises a variety of triangular, pentagonal, hexagonal and octagonal forms. The central column, raised on a pedestal surrounded by animals and telamons, is surrounded by six columns of differing height, three resting on plain bases, the others on lions. They have richly carved foliate capitals supporting trefoil arches with Prophets and Evangelists in the spandrels and the Virtues, St John the Baptist and St Michael standing at the corners. The parapet above consists of five rectangular reliefs depicting scenes from the Life of Christ, clearly separated from one another by triple colonnettes of red marble, with red marble cornices above and below. Except for the column shafts, made of red and green marbles, the other sculptures are carved from the white marble of Carrara. The backgrounds were once painted and enameled, and eyes and other features were colored, enhancing the realistic effects of the scenes. Grove Dictionary of Art. There is a blank margin at the bottom with a caption in black."},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"25.9 x 20.1 cm"},{"label":"Image View Type","value":"Pulpit; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Pisa (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin at the bottom with a caption in black."},{"label":"Subject (Topical)","value":["Religious art [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower center, in black, faded: Pisa, Pulpito di Nicola Pisano nel Battistero"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1354590/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 13: Northern Italy Page 30"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Van Lint, Enrico, 1808-1888 [LCNAF]"]}],"description":"Pisa Baptistery, Pulpit","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/canvas/_1","@type":"sc:Canvas","label":"Pisa Baptistery, Pulpit","height":5880,"width":4680,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033","profile":"http://iiif.io/api/image/2/level2.json"},"height":5880,"width":4680},"on":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/9265f0ae-a908-4b2f-b0f6-a49fdaa90033/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}