{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/manifest","label":"rsv17p58","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"San Lorenzo, Tomb of Lorenzo de'Medici"},{"label":"Cultural Context","value":"Italian"},{"label":"Image View Description","value":"The New Sacristy in San Lorenzo was to house the tombs of the recently deceased Medici dukes Lorenzo of Urbino (d 1516) and Giuliano of Nemours (d 1519)—the Capitani—and their 15th-century forebears Giuliano (d 1478) and Lorenzo (d 1492) de' Medici—the Magnifici. Intermittent plans to introduce additional tombs for the Medici popes were not realized. Again, a large sculptural component was involved. The new chapel was to balance Brunelleschi's Old Sacristy (1421–8.) opposite, and its exterior treatment matches the levels and detailing of the 15th-century transept. For the plan and interior elevation, Michelangelo's starting-point was also the Old Sacristy, but he introduced an intermediate level with tabernacle windows, arches and pilasters between the main order and the pendentive zone. Work began in autumn 1519, and by April 1521 the first interior order was largely in place. The pace of construction slackened after Leo's death that year, but picked up after Clement's election in 1523. In 1525 the exterior was crowned by the innovative marble lantern with its lively broken silhouette and faceted bronze ball, deliberately varied by Michelangelo from the 15th-century example on Florence Cathedral. The marble ornament of the interior was begun in 1524, with the construction of the tombs of the Capitani and the doors and tabernacles in the corners. The Magnifici tomb opposite the altar was never finished, nor was the sculptural programme, which remained incomplete when Michelangelo moved definitively to Rome in 1534. Grove Dictionary of Art. There is a blank margin along the bottom of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"24.6 x 19.3 cm"},{"label":"Image View Type","value":"Tomb; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Florence (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print"},{"label":"Subject (Topical)","value":["Burial [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"1911"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower center, in black: 1911 FIRENZE- CHIESA DI S LORENZO SACRESTIA NUOVA TOMBA DI LORENZO DE'MEDICI (MICHELANGIOLO)"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359523/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 58; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Alinari, Leopoldo, 1832-1865 [LCNAF]"]}],"description":"San Lorenzo, Tomb of Lorenzo de'Medici","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/canvas/_1","@type":"sc:Canvas","label":"San Lorenzo, Tomb of Lorenzo de'Medici","height":5562,"width":4524,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90","profile":"http://iiif.io/api/image/2/level2.json"},"height":5562,"width":4524},"on":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/8a7d9a7e-8ed3-46b2-8f73-bb3de1d1bd90/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}