{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/manifest","label":"rsv06p38","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Hephaisteion"},{"label":"Alternative Title","value":"Theseion"},{"label":"Cultural Context","value":"Greek"},{"label":"Image View Description","value":"The Hephaisteion, popularly though incorrectly known as the 'Theseion', remains the best preserved of all Doric temples. All the columns and the full entablature of its canonical peristyle (6×13 columns) survive, as do the walls of the cella up to ceiling level, though the present roof is of later date. The temple is largely of Pentelic marble and dates from the mid-5th century bc, though it may have taken a generation or more to complete. It carries more sculptural decoration than any other Classical temple except for the Parthenon. Excavations around the building uncovered planting pits, indicating that the sanctuary was landscaped with rows of shrubs and bushes. The Hephaisteion was converted into the Christian church of St George in the Kerameikos, probably in the 7th century CE, resulting in the addition of an apse at the east end and the removal of its pronaos columns and door-wall. This conversion also contributed to its unusually fine state of preservation. Grove Dictionary of Art"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"21 x 27.5 cm"},{"label":"Image View Type","value":"Temple; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Athens (Greece) [LCNAF]"]},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"22"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower left, in white: 22; lower right, in white box, in black: Rhomaides; on album page, lower center, in black ink: Temple de Thesee."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1353481/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 06: Germany/Greece/Switzerland Page 38; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Rhomaides frères [LCNAF]","Rhomaides, Aristotelis, -1916? [LCNAF]","Rhomaïdès, C. [LCNAF]"]}],"description":"Hephaisteion","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/canvas/_1","@type":"sc:Canvas","label":"Hephaisteion","height":4817,"width":6356,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344","profile":"http://iiif.io/api/image/2/level2.json"},"height":4817,"width":6356},"on":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/7b1c662b-55d7-40c2-b5b0-04a6f7c14344/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}