{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/manifest","label":"rsv17p25","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Saint Peter's Basilica, Pieta"},{"label":"Image View Description","value":"Commissioned in 1497 by the French Cardinal Jean Villiers de La Grolais (c. 1430-99) for his own tomb, the Pieta was begun the following year and was finished by 1500. It signals the beginning of Michelangelo's maturity as a sculptor. This sensitively carved surface is strongly contrasted with the unpolished textures of rock and tree stump. Although the dazzling virtuosity of the carving is less appreciated now than it was in the 16th century, there is general agreement that the Pietà is a work of unprecedented elegance. Its grace of contour is most apparent in the drapery: the tight, damp fold loincloth of Christ, the ruches and complex crinkles of Mary's robes and the controlled but generous sweep of the shroud, which both cradles and displays Christ's corpse. Much of the pathos of the group derives from this drapery. The Virgin shows no grief; her features are composed and the gesture of her left hand is designed to draw attention to her dead son. Grove Dictionary of Art. There is a blank margin along the bottom of the print."},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"25.4 x 20.3 cm"},{"label":"Image View Type","value":"Sculpture; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Vatican City [LCNAF]","Rome (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print."},{"label":"Subject (Topical)","value":["Religious art [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"181"},{"label":"Medium","value":["albumen paper","black and white photography"]},{"label":"Inscription","value":"lower center, in black: 181 PIETA DI MICHELANGELO"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359485/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 25; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Anderson, James, 1813-1877 [LCNAF]"]}],"description":"Saint Peter's Basilica, Pieta","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/canvas/_1","@type":"sc:Canvas","label":"Saint Peter's Basilica, Pieta","height":5696,"width":4761,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f","profile":"http://iiif.io/api/image/2/level2.json"},"height":5696,"width":4761},"on":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/7a164833-595d-4968-a9d6-ac785528a77f/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}