{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/manifest","label":"rsv17p52","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Duomo"},{"label":"Alternative Title","value":"Santa Maria del Fiore"},{"label":"Cultural Context","value":"Italian"},{"label":"Image View Description","value":"Excavations have shown that the first cathedral of Florence, probably dating from the 4th or early 5th century, was reconstructed in the 8th or 9th century and modified in the 11th, when the presbytery was raised over a large crypt, which contained a number of spolia. Shortly after 1294 work on a new cathedral was planned (begun 1296), and the old one was finally demolished in 1375. Responsibility for the new construction initially rested with the Florentine commune and the Bishop and Chapter. The first master of the new cathedral was Arnolfo di cambio, who died c. 1302. The extent to which his scheme was followed has been debated, but excavations indicate that he began work at the west and east ends simultaneously and that an eastern octagon was planned from the start. In 1331, when the presumed relics of St Zenobius (d c. 390), traditionally the first bishop of Florence, were found under the old crypt, it was decided to enlarge the original rebuilding project and to enlist financial help from all the major guilds, with the wool-merchants' guild (Arte della Lana) assuming control. Discussions over the proportions of the cathedral, the form of the clerestory windows and of the drum that was to support the great dome, and whether the nave should have three or four bays, continued for a decade, and various designs were prepared before a definitive brick model (destr. 1421) was approved in 1368. A competition held in 1418 to decide the construction technique of the dome was won by Brunelleschi (with Lorenzo Ghiberti), with a proposal that avoided centering; one wooden model attributed to him survives. Brunelleschi then took sole control of the work, and the dome was completed in 1436; the lantern was built to Brunelleschi's design by Michelozzo di Bartolomeo and Bernardo Rossellino between 1446 and 1467. Apart from some exterior surfaces that still reveal the original brickwork beneath the marble casing, particularly at the base of the dome, the cathedral fabric was finally finished in the 19th century when a new Gothic-style façade was added (1871–87) by Emilio De Fabris to replace the original, incomplete work that was dismantled in 1587. The completed building has a rib-vaulted nave of four bays (square in the main vessel, rectangular in the aisles); this leads to an eastern octagon the width of the nave, which is surrounded by three tribunes of identical design, each opening into five rectangular chapels. The church thus combines two Early Christian building types, the basilica and the centralized martyrium. Grove Dictionary of Art. There is a blank margin along the bottom of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"19.5 x 25.2 cm"},{"label":"Image View Type","value":"Church; Photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Florence (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print"},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"1822"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower center, in black: Pe. 1a. No. 1822 FIRENZE- LA CATTEDRALE. (VISTA DALLA TORRE DEL PALAZZO DEL PODESTA)"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359514/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 52; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Alinari, Leopoldo, 1832-1865 [LCNAF]"]}],"description":"Duomo","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/canvas/_1","@type":"sc:Canvas","label":"Duomo","height":4440,"width":5914,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c","profile":"http://iiif.io/api/image/2/level2.json"},"height":4440,"width":5914},"on":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/6a3cb1e1-82a4-40f5-b94b-63da45f08a9c/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}