{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/manifest","label":"rsv07p38","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Varanasi, Manikarnika"},{"label":"Alternative Title","value":"Benares, the Burning Ghat"},{"label":"Cultural Context","value":"Indian"},{"label":"Image View Description","value":"Owing to its strategic position at the confluence of the Ganga and Varuna rivers, Varanasi was a significant trading and commercial centre. In many tales of the previous lives of Buddha (Skt jātakas), Varanasi is described as a city of much splendour and an important commercial centre. Varanasi's urban development is an indication of its religious significance. By the time of the Buddha it was already famous as a place for seekers of religious knowledge and spiritual experience. After attaining Enlightenment at Bodhgaya, Shakyamuni, the historical Buddha preached the first sermon in the Deer Park at nearby Sarnath, thereby founding the Buddhist faith. In the 7th century ad Xuanzang, the Chinese Buddhist pilgrim, visited Varanasi; he noted that, while Buddhism was still flourishing at Sarnath, it was not a force in Varanasi proper. Mahavira, contemporary of Buddha and the inaugurator of Jainism, also preached in Varanasi. Kashi was known as the City of Shiva. However, it is most famous as the City of Death. According to the Hindu theory of reincarnation, one must travel through myriad existences in order to be released from the eternal round of birth and death to achieve union with the Divine. Kashi is so potent that simply to die there is to achieve instant liberation (Skt moks) and for centuries pilgrims from all over India have journeyed there to die. The ghāts and their environs are crowded with buildings devoted to religious purposes: āshrams for the thousands of widows who come from all over India to devote their lives to piety and austerity and for the old and sick who come here to die; accommodation for the crowds of holy men (sādhus) and renouncers (sannyāsins) as well as for the masses of pilgrims who crowd the city. The most famous ghāt is Manikarnika (Burning Ghat) with its sacred ever-burning flame to light the cremation pyres Grove Dictionary of Art"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"20.6 x 26.7 cm"},{"label":"Image View Type","value":"Religious Complex; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Vārānasi (Uttar Pradesh, India) [LCNAF]"]},{"label":"Subject (Topical)","value":["Burial [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"4628"},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"lower left, in white: 4628; on album page, lower left, in black ink: The Burning Ghat, Benares."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1353788/representation-view"},{"label":"Copyright Statement","value":" This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work."},{"label":"Public Note","value":"Volume 07: India Page 38; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Deen Dayal, Raja, 1844-1905 [LCNAF]","Dayal, Lala Din [Local]"]}],"description":"Varanasi, Manikarnika","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/canvas/_1","@type":"sc:Canvas","label":"Varanasi, Manikarnika","height":4776,"width":6282,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26","profile":"http://iiif.io/api/image/2/level2.json"},"height":4776,"width":6282},"on":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/4306e12e-9761-4ead-a1bf-140f29c1aa26/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}