{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/manifest","label":"rsv17p03","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Pantheon, Interior view"},{"label":"Alternative Title","value":"Santa Maria Rotonda"},{"label":"Cultural Context","value":"Roman"},{"label":"Image View Description","value":"The Pantheon was begun in 27 BCE by the statesman Marcus Vipsanius Agrippa, probably as a building of the ordinary classical temple type, rectangular with a gabled roof supported by a colonnade on all sides. It was completely rebuilt by the emperor Hadrian sometime between 118 and 128 CE, with some alterations made in the early 3rd century by the emperors Lucius Septimius Severus and Caracalla. It is a circular building of concrete faced with brick, with a great concrete dome rising from the walls and with a front porch of Corinthian columns supporting a gabled roof with triangular pediment. Beneath the porch are huge bronze double doors, 24 feet (7 m) high, the earliest-known large examples of this type. The dome was the largest built until modern times, measuring about 142 feet (43 m) in diameter and rising to a height of 71 feet (22 m) above its base. . Two factors are known to have contributed to its success: the excellent quality of the mortar used in the concrete and the careful selection and grading of the aggregate material, which ranges from heavy basalt in the foundations of the building and the lower part of the walls, through brick and tufa (a stone formed from volcanic dust), to the lightest of pumice toward the centre of the vault. In addition, the uppermost third of the drum of the walls, seen from the outside, coincides with the lower part of the dome, seen from the inside, and helps contain the thrust with internal brick arches. The drum itself is strengthened by huge brick arches and piers set above one another inside the walls, which are 20 feet (6 m) thick. In contrast with the plain appearance of the outside, the interior of the building is lined with colored marble; the walls are marked by seven deep recesses, screened by pairs of columns whose modest size gives scale to the immensity of the rotunda. Rectangular coffers, or indentations, were cut in the ceiling probably under Severus and decorated with bronze rosettes and molding. The Pantheon was dedicated in 609 CE as the Church of the Santa Maria Rotonda, or ad Martyres, which it remains today. Britannica Online There is a blank margin along the bottom of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"20.2 x 26 cm"},{"label":"Image View Type","value":"Temple; Church; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Rome (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print"},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]","Architecture, Roman [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"412"},{"label":"Medium","value":["albumen paper","black and white photography"]},{"label":"Inscription","value":"lower left, in black: 412 PANTHEON DI AGRIPPA"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359362/representation-view"},{"label":"Copyright Statement","value":" This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work."},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 3; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Anderson, James, 1813-1877 [LCNAF]"]}],"description":"Pantheon, Interior view","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/canvas/_1","@type":"sc:Canvas","label":"Pantheon, Interior view","height":4530,"width":6082,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6","profile":"http://iiif.io/api/image/2/level2.json"},"height":4530,"width":6082},"on":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/348f3bf1-5577-4d38-be3f-3f86f69e1ee6/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}