{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/manifest","label":"rsv17p07","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Temple of Antoninus Pius and Faustina"},{"label":"Alternative Title","value":"San Lorenzo in Miranda"},{"label":"Cultural Context","value":"Roman"},{"label":"Image View Description","value":"The Temple of Antoninus and Faustina in the Forum Romanum is generally a dull and conventional building. A Baroque facade was added in 1602 when the temple was transformed into the church of S Lorenzo in Miranda. It also has a number of eclectic features symptomatic of the growing crisis of confidence that marked the Antonine period and that caused artists sometimes to cling to the outworn conventions of traditional classicism but increasingly to break free of its stifling constraints. This crisis had its roots in Hadrian's great interest in the provinces, which led to his spending half his reign outside Italy. Just as his promotion of large provincial cities was eventually to affect the status of Rome as the centre of imperial power, so his restless building activity had introduced new architectural currents from outside Italy. Grove Dictionary of Art. There is a blank margin along the bottom of the print"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"20.2 x 26 cm"},{"label":"Image View Type","value":"Temple; Church; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Rome (Italy) [LCNAF]"]},{"label":"Description","value":"There is a blank margin along the bottom of the print"},{"label":"Subject (Topical)","value":["Religious architecture [LCSH]","Architecture, Roman [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"496"},{"label":"Medium","value":["albumen paper","black and white photography"]},{"label":"Inscription","value":"lower left, in black: 496 A TEMPIO DI ANTONINO E FAUSTINA"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359366/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 17: Rome/Florence Page 7; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]},{"label":"Creator","value":["Anderson, James, 1813-1877 [LCNAF]"]}],"description":"Temple of Antoninus Pius and Faustina","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/canvas/_1","@type":"sc:Canvas","label":"Temple of Antoninus Pius and Faustina","height":4561,"width":6113,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300","profile":"http://iiif.io/api/image/2/level2.json"},"height":4561,"width":6113},"on":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/2bdf3fda-4167-4e85-9ec2-99f2b0c70300/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}