{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/manifest","label":"rsv01p07","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"El Alhambra: Patio de la Acequia, Generalife"},{"label":"Alternative Title","value":"Patio of the Irrigation Ditch, Palace of the Generalife"},{"label":"Cultural Context","value":"Islamic"},{"label":"Image View Description","value":"The Generalife was built on ascending terraces. The sovereign reached the Generalife's royal mansion, the Dār al-Mamlaka al-Sa‛īda ('royal house of felicity'), from the Alhambra's Puerta de Hierro, also built by Muhammad II. He ascended through orchards, crossed a first courtyard and entered the second through a guarded south portico, to ascend to a vestibule with a structural bench and up a steep staircase to the Patio de la Acequia. The mansion's south-east wing has storerooms and dwellings for servants. Its large upper-storey room has alcoves and a belvedere (restored and enlarged in the 1920s) overlooking the patio. In Nasrid times the patio's south-west flank was enclosed by a high wall, with a central belvedere kiosk given plaster decorations by Muhammad II, which were covered over in 1319 by his grandson Isma‛il I with a later pattern. The north-east wing contains two dwellings and two staircases that probably led to the hammām and to the upper gardens, where a water staircase, alternating sections of stair with rounded landings, has channeled water coursing down steps and hand-rails; it probably ascended to an oratory. The mansion's north-west wing has a five-arched gallery, with its wider central arch framing optically the tripartite entrance portico to the palace's main, transverse room. Isma‛il I remodeled this room and added the north-west tower, with stairs in it. The upper storey was reconstructed under Ferdinand and Isabella; the top gallery is entirely Christian work. Grove Dictionary of Art."},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"21.7 x 17 cm"},{"label":"Image View Type","value":"Palace; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Granada (Spain) [LCNAF]"]},{"label":"Subject (Topical)","value":["Islamic architecture [LCSH]","Generalife (Granada, Spain) [LCSH]","Alhambra (Granada, Spain) [LCSH]","Palaces [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Medium","value":["black and white photography","albumen paper"]},{"label":"Inscription","value":"on album page, lower left, in black ink: Patio Acequia desde el interior, Generaliffe, Granada."},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1341110/representation-view"},{"label":"Copyright Statement","value":" This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work."},{"label":"Public Note","value":"Volume 01: Africa/Sicily Page 7"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]}],"description":"El Alhambra: Patio de la Acequia, Generalife","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/canvas/_1","@type":"sc:Canvas","label":"El Alhambra: Patio de la Acequia, Generalife","height":5081,"width":4013,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934","profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":2048,"scaleFactors":[1,2,4]}]},"height":5081,"width":4013},"on":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/1f1cea02-a5d1-4430-9bb4-949b377c5934/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}