{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/manifest","label":"rsv18p06","metadata":[{"label":"Link to Finding Aid Record","value":"https://aspace.wustl.edu/repositories/4/resources/330"},{"label":"License","value":"Permission to use, copy and distribute is hereby granted for non-commercial and education purposes only, following fair use guidelines."},{"label":"Visibility","value":"Full access (Allow downloads)"},{"label":"Title","value":"Kungliga Slottet"},{"label":"Alternative Title","value":"Royal Palace"},{"label":"Cultural Context","value":"Swedish"},{"label":"Image View Description","value":"Built originally as part of the defenses of medieval Stockholm, the original castle was transformed into the main royal residence by Gustav I (reg 1523-60) and his sons Erik XIV (reg 1560–68), John III (reg 1568–92) and Karl IX (reg 1604–11). The reconstructed palace, called the Tre Kronor (Three Crowns), from the coat of arms on the central tower, was notable for its use of Renaissance stylistic elements derived from Germany, the Netherlands and Italy. After the Thirty Years War (1618–48), Sweden's new position as a major political power led to a demand for a more ostentatious display of grandeur. The old palace still retained the character of a fortress, despite its alterations, and was seen as outdated, leading to further rebuilding in the late 17th century. In 1690 Karl XI (reg 1660–97) and his architect Nicodemus Tessin II reshaped the palace's northern wing. Then in May 1697 a fire almost completely destroyed the old palace, with only a few parts of the rebuilt north wing being saved. This enabled Tessin to design the present palace. The quadrangular plan and the exterior were to some extent inspired by Roman High Renaissance and Baroque architecture. By contrast, the interiors reflect the influence of absolutist French buildings. In 1710 lack of funds, resulting from Karl XII's military activities, halted the rebuilding of the palace, which was not resumed until 1728. Carl-Gustav Tessin was made director of the works. Carl Harleman, the executive architect, followed Nicodemus Tessin's plans as closely as possible, but the French Rococo style, adapted to Swedish taste, was used principally in the royal family's private apartments, which were completed in 1754. Grove Dictionary of Art Printed in color using the photochrom process. There are some areas where the color has chipped or scratched, especially in the upper left"},{"label":"Subject (Time Period)","value":["Nineteenth century [LCSH]"]},{"label":"Physical Dimensions of Original","value":"16.2 x 22.3 cm"},{"label":"Image View Type","value":"Palace; photographs"},{"label":"Collecting Area","value":["Kranzberg Art & Architecture Library"]},{"label":"Collection Name","value":["19th Century Architectural Photography Collection"]},{"label":"Subject (Geographic)","value":["Stockholm (Sweden) [LCNAF]"]},{"label":"Description","value":"Printed in color using the photochrom process. There are some areas where the color has chipped or scratched, especially in the upper left"},{"label":"Subject (Topical)","value":["Architecture, Domestic [LCSH]"]},{"label":"Genre Form","value":["Photographs [LCGFT]"]},{"label":"Type","value":["Still image"]},{"label":"Legacy Identifier","value":"7136"},{"label":"Medium","value":["black and white photography","photochroms"]},{"label":"Inscription","value":"lower right, in gold lettering: 7136. - STOCKHOLM. KUNGLSLOTTET.; on album page, lower left, in black ink: Stockholm - Kungl Slottet"},{"label":"Link to Catalog Record","value":"https://forum.jstor.org/assets/1359535/representation-view"},{"label":"Copyright Statement","value":"<a href=\"http://rightsstatements.org/vocab/NKC/1.0/\"> This Rights Statement should be used for Items for which the copyright status has not been determined conclusively, but for which the organization that intends to make the Item available has reasonable cause to believe that the underlying Work is not covered by copyright or related rights anymore. This Rights Statement should not be used for Orphan Works (which are assumed to be in-copyright) or for Items where the organization that intends to make the Item available has not undertaken an effort to ascertain the copyright status of the underlying Work.</a>"},{"label":"Public Note","value":"Volume 18: Sweden/Russia Page 6; Number assigned by photographer or print studio"},{"label":"Metadata Status","value":"Metadata reviewed by Metadata Services staff."},{"label":"Copyright Status","value":["No Known Copyright"]}],"description":"Kungliga Slottet","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/canvas/_1","@type":"sc:Canvas","label":"Kungliga Slottet","height":3839,"width":5216,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/full/full/0/default.jpg","@type":"dctypes:Image","format":null,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236","profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":2048,"scaleFactors":[1,2,4]}]},"height":3839,"width":5216},"on":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/washu/iiif/03f7adb0-f830-4912-a6ff-8fef022e0236/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/washu/iiif/logo"}