{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/rice/iiif/d199e752-bae8-4dcd-8ea4-d65a2fa5bd81/manifest","label":"wrc20665_transcript","metadata":[{"label":"Title","value":"Litao Qi oral history interview transcript"},{"label":"Accessibility Features","value":["OCR"]},{"label":"Rights Summary","value":["Restricted"]},{"label":"Original Handle","value":"Never in Dspace"},{"label":"Digitization Specifications","value":["This asset is born digital. It may not have a high-quality master version."]},{"label":"Date Digital","value":"D:00 M:00 Y:2021"},{"label":"Time Span","value":["2020s"]},{"label":"Special Collections","value":["Houston Asian American Archive","Houston and Texas History"]},{"label":"Repository","value":["Special Collections"]},{"label":"Format","value":["Document"]},{"label":"Format Genre","value":["oral histories"]},{"label":"Subject","value":["Asian Americans"]},{"label":"Source","value":"Houston Asian American Archives oral history interviews, MS 573, Woodson Research Center, Fondren Library, Rice University"},{"label":"Rights","value":["The copyright holder for this material has granted Rice University permission to share this material online. It is being made available for non-profit educational use. Permission to examine physical and digital collection items does not imply permission for publication. Fondren Library’s Woodson Research Center / Special Collections has made these materials available for use in research, teaching, and private study. Any uses beyond the spirit of Fair Use require permission from owners of rights, heir(s) or assigns. See http://library.rice.edu/guides/publishing-wrc-materials"]},{"label":"Date","value":"D:28 M:07 Y:2021"},{"label":"Publisher","value":["Rice University"]},{"label":"Language","value":["chi","eng"]},{"label":"Identifier","value":"wrc20665_transcript"},{"label":"Description","value":"Litao Qi (齐利涛) was born in Chengdu Village, Hubei Province, China in 1970, during the Cultural Revolution. She was born to parents who migrated there from Shandong at the start of the movement— when they initially answered the government’s call “Up to the Mountains and Down to the Countryside”. The entire family suffered tremendously during the decade-long sociopolitical turmoil as Qi’s grandfather was a relatively wealthy farmer, even though his wealth was earned honestly. Influenced by her father who was talented in painting, Qi loved to paint since she was young. She grew up in the fields and mountains without much interference from other people, such intimacy to nature shaped her longing for purity and spirituality. She went to a local art college in Hubei and became a professor there upon graduating, which she stayed for 10 years; however, foreseeing how she would spend the rest of her life if she stayed there, she left her teaching job for Beijing, where she worked in the corporate world. This helped her learn more about humanity from another perspective, as she experienced intense office politics. After five years, she left the job after creating a phenomenal revenue increase for the company yet was uncredited due to management staff turnover, as well as to take care of her son when he underwent the college entrance exam preparation (considered the most important life event for Chinese kids). She suffered an episode of cancer during this time, but fortunately recovered. Qi’s artistic career, though started early at a young age, had not started professionally until 2014. She primarily works in the medium of ink on paper, with a few series in acrylic on canvas. Her motif has been surrounding the relationship of man and nature, as she paints women figures, still life, nature; but essentially, it’s about the vitality of life. She paints from her mind, her feelings and emotions, her reflections in life, and never about figuration as is. In this interview, Qi took us into her memories from childhood that were fueled with her love for and relationship with nature, her traumatic experiences of the Cultural Revolution, her experiences with the trajectory of her life from teaching to her corporate job experience, and how she returned to painting. She shared a number of her own perspectives about the issues with art education in China, the relationship of contemporary ink art with traditional Chinese ink paintings as well as the Western art history, the future of Chinese contemporary art, and others."},{"label":"Abstract","value":"This recording and transcript form part of a collection of oral history interviews conducted by the Chao Center for Asian Studies at Rice University. This collection includes recordings and transcripts of interviews with Asian Americans native to or living in Houston."},{"label":"Location","value":["Texas--Houston"]},{"label":"People and Organizations","value":["Qi, Litao"]},{"label":"Accessibility","value":["This item may have accessibility enhancements created by AI, which means there might be misspellings and/or grammatical errors. If you are in need of further remediation, please fill out this form: https://library.rice.edu/requests/digital-collections-accessible-format-request-form"]},{"label":"Creative Commons Attribution","value":["CC BY 4.0 https://creativecommons.org/licenses/by/4.0/"]},{"label":"Interviewer(s)","value":["Shi, Ann"]},{"label":"Interviewee(s)","value":["Qi, Litao"]}],"description":"Litao Qi oral history interview 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