{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/digitalcollections-baylor/iiif/fc842a22-f476-4b40-9614-ce2f95aed305/manifest","label":"fa-spnc-sco_b6276_294","metadata":[{"label":"Date","value":"D:00 M:00 Y:1911"},{"label":"Language","value":"English"},{"label":"Rights","value":"https://library.web.baylor.edu/about/policies"},{"label":"Type","value":["Text"]},{"label":"Digital Collection","value":["Arts and Special Collections Research Center - Frances G. Spencer Collection of American Popular Sheet Music"]},{"label":"Notes","value":"Caption title. ; Advertisements for other music: p. [6] . ; Cover illustration: Black man fleeing objects thrown by wife / Detroit Photo Engraving Co. ; voice and piano ; Staff notation."},{"label":"Physical Description","value":"1 score ( [1], 2-3, [1] page): color illustrations ; 35 cm"},{"label":"Format","value":["Sheet music"]},{"label":"Custodian","value":["Baylor University - Arts and Special Collections Research Center"]},{"label":"Digital ID","value":"fa-spnc-sco_b6276_294"},{"label":"Title","value":"Fare thee, Lizzie Lee"},{"label":"Publisher","value":"Detroit: J.H. Remick & Co."},{"label":"Historical Context Note","value":"The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials."},{"label":"Additional Dates","value":"1911"},{"label":"Identifier","value":"(Call Number) Spencer B6276 .294"},{"label":"Contributor","value":"Jones, Earle C."},{"label":"Composers | Arrangers","value":"Moret, Neil"},{"label":"Lyrics","value":"The quickest coon in Alabam' was Percy Dunn, When he left his Lizzie Lee She always packed a razor and a Gatlin gun. (Baby, dear, maybe, dear, you know the one.) He left sudden from his darlin' wife, With a hatchet in his head. Oh, she chased him, from Atlanta clear to New Orleans, Still a runnin' Percy said: Oh, fare thee, Lizzie Lee, Listen honey love to reason! Lizzie Lee, Huntin' coons is out of season! You can chase me all the way to ole Baltimo'. Oh! Oh! Let's go! I'll run some mo' Lizzie Lee, Just to show we isn't walkin', Lizzie Lee, Here's the town of ole Weekawken. Antelopes and Aeroplanes have nothin' on me, Fare thee well, my Lizzie Lee. Sweet Lizzie followed Percy like a Deadwood Dan, Tracked him to the woolly West He soon became an outlaw and a hold up man, (Larceny, arsony, that was his plan.) One night he held up the Denver stage, But his Lizzie was inside. Oh, with that, he jumped his pony over Pikeses' Peak, When he left her, Percy cried: Oh, fare thee, Lizzie Lee, I was here but now I isn't! Lizzie Lee, If you think it's me, it tisn't. See that streak of lightnin' down the Rattle Snake Pass, That's me, Oh gee, I'm goin' fast Lizzie Lee, Write me, dear, tonight at seven Lizzie Lee, I'll be in Japan at 'leven. I will stop a while at Honolulu for tea, Fare thee well, my Lizzie Lee."},{"label":"Spencer Subject","value":["Black music - subjects.","Piano.","Vocal."]},{"label":"Cover Art Description","value":"red/white/black ; drawing of a man running."},{"label":"Instrumentation","value":["voice","piano"]},{"label":"First line of chorus","value":"Oh fare thee, Lizzie Lee."},{"label":"First line of verse","value":"The quickest coon in Alabam' was Percy Dunn."},{"label":"Statement of Responsibility","value":"words by Earle C. Jones ; music by Chas. N. 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