{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/digitalcollections-baylor/iiif/f5999f60-54a3-416a-bf83-b6ffb3ece06e/manifest","label":"fa-spnc-sco_e842_367","metadata":[{"label":"Date","value":"D:00 M:00 Y:1916"},{"label":"Language","value":"English"},{"label":"Rights","value":"https://library.web.baylor.edu/about/policies"},{"label":"Type","value":["Text"]},{"label":"Digital Collection","value":["Arts and Special Collections Research Center - Frances G. Spencer Collection of American Popular Sheet Music"]},{"label":"Notes","value":"Cover title. ; voice and piano ; Staff notation."},{"label":"Physical Description","value":"1 score (5 pages) ; 35 cm"},{"label":"Format","value":["Sheet music"]},{"label":"Custodian","value":["Baylor University - Arts and Special Collections Research Center"]},{"label":"Digital ID","value":"fa-spnc-sco_e842_367"},{"label":"Title","value":"Moysha Machree They're proud of their Irisher, Yiddisher boy"},{"label":"Publisher","value":"New York: Kendis Music Pub. Co."},{"label":"Historical Context Note","value":"The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials."},{"label":"Additional Dates","value":"1916"},{"label":"Identifier","value":"(Call Number) Spencer E842 .367"},{"label":"Composers | Arrangers","value":"Kendis, James"},{"label":"Lyrics","value":"On the left of me lived a widow named Machree, On the right of me lived a jewish family, The widow Machree had a daughter who loved the Jewish boy next door, Sure they were married and mother Machree said please name the first girl after me. The first though, was a blue-eyed boy, And he brought both luck and joy ; Her son-in-law was wise so he said we'll compromise. The idea it was nifty and to make it fifty-fifty He named him Patrick, Moysha Machree Levee, \"Levee, that's fancy for Levy.\" As the boy grew up they discovered that he Had a voice that was rich with melody. Someone said he'd surely be the rage, If he changed his name and went upon the stage ; and he did. He dropped the Patrick and he dropped the Levee, And he called himself just plain Moysha Machree. Now he packs the theatres wherever he plays, And for him the critics have nothing but praise. Chorus When Moysha Machree sings above high C. His voice rings out clear as a bell, Don't it sound just like Caruso mother Machree? Caruso nothin' sure 'tis like McCormick says she 'Tis on Sunday he sings the Rosary, And on Friday night to make things right, He sings Jerusalem, Jerusalem, For his dear old father now Moysha Machree, Has a girl you see, He also owns two automobiles, A Jewick (Buick) and a Catolic (Cadillac) that bring him joy And they're proud of their Irisher Yiddisher boy."},{"label":"Spencer Subject","value":["Ethnic - Jewish.","Piano.","Vocal."]},{"label":"Cover Art Description","value":"green/white ; photo of Lillian Watson."},{"label":"Instrumentation","value":["voice","piano"]},{"label":"First line of chorus","value":"When Moysha Machree sings above high C..."},{"label":"First line of verse","value":"On the left of me lived a widow named Machree."},{"label":"Statement of Responsibility","value":"by James Kendis"}],"description":"Moysha Machree They're proud of their Irisher, Yiddisher 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