{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/digitalcollections-baylor/iiif/a6832b74-bbab-48f5-b3cc-368b51fc9b51/manifest","label":"fa-spnc-sco_l7762_11","metadata":[{"label":"Date","value":"D:00 M:00 Y:1800"},{"label":"Language","value":"English"},{"label":"Rights","value":"https://library.web.baylor.edu/about/policies"},{"label":"Type","value":["Text"]},{"label":"Digital Collection","value":["Arts and Special Collections Research Center - Frances G. Spencer Collection of American Popular Sheet Music"]},{"label":"Notes","value":"Title from cover. ; voice and piano or piano duet ; Staff notation."},{"label":"Physical Description","value":"1 score (4 pages) ; 34 cm"},{"label":"Format","value":["Sheet music"]},{"label":"Custodian","value":["Baylor University - Arts and Special Collections Research Center"]},{"label":"Digital ID","value":"fa-spnc-sco_l7762_11"},{"label":"Title","value":"The origin of the harp canzonet"},{"label":"Publisher","value":"Philadelphia, PA: A. Fiot"},{"label":"Historical Context Note","value":"The Baylor University Libraries strive to make our digital collection resources available and useful to our faculty, staff, students, alumni, researchers, and the general public. Through our Web sites, the Libraries offer broad public access to a wide range of information, including historical materials that may contain offensive language or negative stereotypes. Such materials must be viewed in the context of the relevant time period. Baylor University does not endorse the views expressed in such materials."},{"label":"Additional Dates","value":"1800"},{"label":"Identifier","value":"(Call Number) Spencer L7762 .11"},{"label":"Lyrics","value":"Tis believ'd that this Harp which I now wake for thee, Was a Syren of old, who liv'd under the sea, And who often at midnight thro' the dark billow rov'd, To meet on the green shore a youth whom she lov'd. And who often at midnight thro' the dark billow rov'd, To meet on the green shore a youth whom she lov'd. But she lov'd him in vain, for he left her to weep, And in tears, all the night, her gold ringlets to steep, Till heav'n look'd, with pity, on true love so warm, And chang'd to this soft Harp the sea maiden's form! Till heav'n look'd with pity on true love so warm, And chang'd to this soft Harp the sea maiden's form. Still her bosom rose fair still her cheek smil'd the same, And her sea beauties gracefully curl'd round the frame ; And her hair shedding dew drops from all its bright rings, Fell over her white arm, to make the gold strings! And her hair shedding dew drops from all its bright rings, Fell over her white arm, to make the gold strings. Hence it came that this soft Harp so long has been known, To mingle love's language with sorrow's sad tone ; Till thou didst divide them, and teach the fond lay To be love, when I'm near thee, and grief, when away. Till thou didst divide them and teach the fond lay To be love, when I'm near thee, and grief when away."},{"label":"Spencer Subject","value":["Ethnic - Irish.","Piano.","Vocal."]},{"label":"Instrumentation","value":["voice","piano"]},{"label":"Lyricist","value":"Moore, Thomas"},{"label":"First line of verse","value":"Tis beliv'd that this harp which I now wake for..."},{"label":"Statement of Responsibility","value":"written by Thomas Moore Esqr., arr. as a song or duett for the piano forte."}],"description":"The origin of the harp 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