{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/manifest","label":"NE1325.A5_E4_0004","metadata":[{"label":"Title","value":"Evening Bell at Ikegami/ 池上晩鐘 (Ikegami no Bansho)"},{"label":"Creator","value":["Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)"]},{"label":"Creator role","value":["Artist"]},{"label":"Related item","value":"Charles Nelson Spinks collection"},{"label":"Genre","value":["woodcuts (prints)"]},{"label":"Description","value":"Nishiki-e (Multicolored Print), ink and color on paper. Depicted is the Ikegami Honmonji temple that was completed in 1282 and founded by Buddhist priest and philosopher Nichiren. The site is thought to be where Nichiren passed away. This is referenced in the accompanying poem that mentions the founder going to Nirvana. The landscape is rendered in a series of dark and washed out blues creating a misty poetic quality. The red temple building stands out among the forest grove it is settled in. At the foot of the hill is a small town occupied by temple visitors and vendors. Poem signed Shunkutei Tareyasu : By virtue of the truth of the Eight Scrolls,/ One prolongs one's age./ The founder of the temple went to Nirvana/ as the evening bell was striking. (Translation by Metropolitan Museum of Art, New York)"},{"label":"Extent","value":"1 file ; 77.1 MB"},{"label":"Digital Origin","value":["reformatted digital"]},{"label":"Media Type","value":["image/jpeg"]},{"label":"Type of resource","value":["still image"]},{"label":"Physical location","value":"American University Library. Archives and Special Collections."},{"label":"Record Source","value":"American University Library. Archives and Special Collections.|American University Library. Resource Description Unit."},{"label":"City","value":["Tokyo"]},{"label":"Handle","value":"http://hdl.handle.net/1961/auislandora:100572"},{"label":"Identifier - Local","value":"NE1325.A5_E4_0004"},{"label":"Date created","value":"circa 1837-1838"},{"label":"Date created (EDTF)","value":"D:00 M:00 Y:1837 - D:00 M:00 Y:1838"},{"label":"Topical subject","value":["Temples -- Japan -- Art","Landscapes -- Japan -- Art","Art, Japanese -- Edo period, 1600-1868","Wood-engraving, Japanese -- Edo period, 1600-1868"]},{"label":"Continent","value":["Asia"]},{"label":"Country","value":["Japan"]},{"label":"Region","value":["Tōkaidō"]},{"label":"Language","value":["Japanese"]},{"label":"Language of cataloging","value":["Japanese","English"]},{"label":"Special Collections","value":["Japanese prints, illustrated books, and manuscripts"]},{"label":"Print Series Title","value":["Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)"]},{"label":"Classification","value":["NE1325 .A5 E4"]},{"label":"Rights Statements","value":["Public Domain"]},{"label":"Rights Statements URI","value":"https://creativecommons.org/publicdomain/mark/1.0/"},{"label":"Print Series Description","value":"Originally published by Kikakudo (Sanoya Kihei) ca. 1837-1838. This series is in a horizontal oban (large size) format. The series was comission by the poetry club led by Taihaido Nomimasu and the first edition was printed privately with their full poems included in the design. The second edition was published for the public and included fewer poetry verses. Depicted are scenes from outside the Edo urban center that are meant to evoke the accompanying poems. In this series Hiroshige is quoting the well known Chinese poetic and artistic theme of \"Eight Views of Xiaoxiang\"."}],"description":"Evening Bell at Ikegami/ 池上晩鐘 (Ikegami no Bansho)","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/canvas/_1","@type":"sc:Canvas","label":"Evening Bell at Ikegami/ 池上晩鐘 (Ikegami no Bansho)","height":4231,"width":6375,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420","profile":"http://iiif.io/api/image/2/level2.json","tiles":[{"width":2048,"scaleFactors":[1,2,4]}]},"height":4231,"width":6375},"on":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/canvas/_1","metadata":[]}],"thumbnail":{"@id":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/full/500,500/0/default.jpg","@type":"dctypes:Image","height":500,"width":500}}]}],"thumbnail":"https://iiif.quartexcollections.com/american/iiif/977f4442-5a8c-4785-89e5-5785e984b420/full/500,500/0/default.jpg","logo":"https://iiif.quartexcollections.com/american/iiif/logo"}